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Well Manicured Man - Pirates of Alternia: Dead Troll's Chest
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wellmanicuredman:

Pirates of Alternia: Dead Troll’s Chest

A swashbuckling adventure on the high seas!

0:00-0:14: An unassuming troll merchant ship sails the ocean, its precious cargo of shitty romantic comedy movies tucked safely within its lower decks, unaware of the danger that approaches.

0:14-0:24: A pirate ship suddenly appears from out of the fog, closing in fast! Its captain: the dastardly pirate Marquise Spinneret Mindfang!

0:24-1:05: Mindfang’s pirate crew boards the vessel, and a battle ensues! This part introduces the main theme of the piece, which is adapted from the first thirty seconds or so of Imbrog’s Cobalt Corsair. As the fight continues, another ship closes in…

1:05-1:19: It’s Dualscar! He and Mindfang cross swords once again. This section lifts the main melody from my own Violet Mariner.

1:19-2:04: It’s time to get all Hans Zimmer up in this bitch. Mindfang and Dualscar duel amid the cacophony. There’s a whole bunch of Errol Flynn swordplay and shit. Masts get climbed and sails get torn and stuff like that. Fun for the whole family!

2:04-2:58: The chaos awakens a beast from the depths of the sea, which begins to ravenously devour the hapless cargo vessel. The battle continues even as the foul kraken crams the ship down its toothy gullet. Mindfang and Dualscar swordfight their way onto the deck of Mindfang’s ship as the beast, satisfied, sinks back beneath the waves. There’s a little bit more from Cobalt Corsair in here.

2:58-3:53: Thrust, parry, dodge, that kind of stuff. What remains of Mindfang’s crew knows it’s best to stay out of their way. Meanwhile, a round of decisive cannon fire takes its toll on Dualscar’s ship.

3:53-4:00: Dualscar and Mindfang’s blades both end up precariously close to each other’s throats.

4:00-4:13: One jump cut later, Dualscar is left adrift in a lifeboat as Mindfang’s ship, a little worse for the wear, vanishes into the fog.

And that’s what happens in this song! I had a bit of a hard time figuring out what to do with Imbrog’s song—as epic as it was, I felt that some parts of it were too cheery for the story I wanted to tell (after all, the original composition was meant to describe Andrew Hussie, not Mindfang). But once I gave the song another listen, I instantly knew that the opening melody—with a few additions and adjustments—was going to be the core of my remix. There is very little composition lifted directly from Cobalt Corsair, aside from the rhythm and those four bars; the song grew very organically from that one melody, and a bit of Pirates of the Caribbean bombast added in for flavor. And once I thought about giving my theme from Violet Mariner a little cameo, well, there was my story.

Hm, going the programmatic route! And I agree, when you stick with a diatonic tonality, Cobalt Corsair does tend to feel a bit lighthearted - never really noticed that. Still, this is cool!

Cobalt Corsair Commentary

Cobalt Corsair

For those of you who didn’t know, Cobalt Corsair was originally a theme for Hussie. The song being given to Mindfang, while some find it hilariously ironic, I find to be a lot more fitting. I do have a tendency to write piratey sounding orchestral songs; this time it just happened to be accidental! For this commentary, I’m going to be dividing the song up both by sections and instrument groups.

SECTION I - REGAL

I always wanted the piece to sound dominating and over-important, at least for this part. It begins with a solo flugelhorn playing its melody, providing an entrance for the rest of the orchestral. After not too long, the trumpets blasting out their fanfare in perfect 4th intervals, the lower brass backing them up with a strong chordal harmony - the brass works to create a very regal sound. Though Hussie as a character isn’t anywhere near this serious, I felt that it wouldn’t hurt to portray him in such a way - the way his character sees himself. The whole thing reeks of overlording and power, which, as it turns out, seems to fit the pirate idea nicely.

SECTION II - BROODING

This is where the piece changes from 12/8 to 4/4, and the solo flugelhorn returns to introduce the new section. I imagined this to be the other side of Hussie, calculating, always working, creating his world. The whole section is just a build up of instruments, as the lower string ostinato loops itself over. There isn’t really much to say about this section, but it certainly works as a contrast for the rest of the piece.

SECTION III - EXECUTION

This is the final minute of the piece, just after the moment of silence. It explodes into a wall of sound, seeking to bring back the power of the first section in a more open way. I actually wrote part of this section before working on the rest of the piece, so naturally, it’s what set the general tone. My favourite melody is introduced in this section (played most obviously by the flutes), and I regret not being able to flesh the idea out more. The piccolo part rising above the rest is interesting - it fits perfectly in with the whole pirate theme, despite me never considering this to be a pirate song. I suppose I consider this section the execution of various plans, to a successful conclusion.

INSTRUMENT GROUPS

Now, as you can probably tell from listening, Cobalt Corsair is very dense texturally. To give you a visual idea, here’s a post from a little while ago showing the layout of the sequencer. It’s big.

So, I’ve decided to chop the piece up in terms of the instrument groups, for anyone who wanted to understand what the hell is going on underneath all that sound.

BRASS | STRINGS | WOODWIND | PERCUSSION AND MISCELLANEOUS

Did I ever mention just how long Cobalt Corsair took to make? This is why.
High-Res

Did I ever mention just how long Cobalt Corsair took to make? This is why.

High-Res

imbrog:

Cobalt Corsair - Remastered

I don’t know about you, but the original version of Cobalt Corsair on coloUrs and mayhem seemed a little bit off - too muffled, and too quiet. So I created a remastered version! I’m sure there are people out there who won’t be able to tell the difference between the two, but trust me, this version is a lot better. As for downloads:

If you have purchased coloUrs and mayhem: goo.gl/Af2gr (MP3 320)

If you have not, or just want to support me: http://imbrog.bandcamp.com/track/cobalt-corsair

The ID3 data in the free mp3 download is the same as the original album - just replace the current version in your album folder and it should work just fine.

Final note: IF YOU HAVE PURCHASED THE OFFICIAL ALBUM AFTER APRIL 10th, YOU ALREADY HAVE THIS VERSION! An easy way to tell is to listen to the final BOOM from the bass drum - if it’s weak and pathetic, you have the old version.

Reblogging this before I go to bed - don’t forget, if you are in the circumstance where you have purchased the album and require a FLAC or other non-MP3 replacement, simply shoot a message to my ask box for a personal download link.

Cobalt Corsair FLAC Downloads

If you happen to prefer the higher quality formats Bandcamp has to offer and have already purchased the coloUrs and mayhem, shoot a message to my ask box and I’ll give you a personal download link for the lossless version.

Cobalt Corsair - Remastered

I don’t know about you, but the original version of Cobalt Corsair on coloUrs and mayhem seemed a little bit off - too muffled, and too quiet. So I created a remastered version! I’m sure there are people out there who won’t be able to tell the difference between the two, but trust me, this version is a lot better. As for downloads:

If you have purchased coloUrs and mayhem: goo.gl/Af2gr (MP3 320)

If you have not, or just want to support me: http://imbrog.bandcamp.com/track/cobalt-corsair

The ID3 data in the free mp3 download is the same as the original album - just replace the current version in your album folder and it should work just fine.

Final note: IF YOU HAVE PURCHASED THE OFFICIAL ALBUM AFTER APRIL 10th, YOU ALREADY HAVE THIS VERSION! An easy way to tell is to listen to the final BOOM from the bass drum - if it’s weak and pathetic, you have the old version.